Nero e Oro, 1993
- 12:19Rotelli, an international dimension: the idea of the eternal beginning
- 10:44Man is not at the centre of the world: Tomás Saraceno’s lesson
- 18:00This Time, even Hirst made a Mistake: an ugly work inspired by the virus
- 15:51“Here is how I rediscovered Drawing”: necessarily distant from his workshop
- 16:52Waiting for a new Rebirth: what did happen to the Netflix of culture?